SUNDAY BLUES, BEGONE

For the title story “Elephant in a China Shop”, the editors of SZ-Magazin brought together the Hamburg-based draftsman and illustrator Stefan Marx with KPM in April 2017. Stefan Marx also stages his well-known “Sundaayyyssss” motifs on coffee cups, mocha pots and cookie jars from KPM Berlin. Heike Glaser interviewed Stefan Marx for the KPM customer magazine WEISS.

The young artist gave the soup tureen from the traditional KURLAND service with its typical relief edge a contemporary design. To decorate the KPM classic, Marx spent a day in the manufactory's painting department. An encounter that made both sides happy. It marked the beginning of a wonderful friendship between the traditional brand and the graffiti artist. The man who started out as a street artist and whose works now hang in galleries from Düsseldorf to New York and Tokyo. Stefan Marx has designed T-shirts, skateboards and record covers and, if desired, will even draw a tattoo on your skin. Now the 39-year-old has discovered porcelain as a surface for himself and has continued his collaboration with the traditional Berlin company as part of the KPM+ edition.

Matthias Dotschko, Head of the KPM Painting Department, had the idea of inviting the Hamburg-based artist for the SZ project to get to know each other personally. He and his team were fascinated by the speed with which Stefan Marx executes his drawings and how skillfully he implements the very special painting technique with pigments and turpentine oils. Now, Stefan Marx regularly visits the manufactory and hand-paints pre-ordered pieces.

 

Mr. Marx, how was your first visit to KPM Malerei?

I was welcomed with open arms and allowed to ask anything. The spirit among the employees is great. The porcelain painter Astrid Schulz became my tutor and

The supervisor is a master painter. Then I got a little basic course – with which tools to paint and label porcelain, what the color is and what properties this special material has.

Have you ever painted or drawn on porcelain before?

No, that was completely new territory for me. I had some experience with ceramics, but that's a completely different story. Porcelain painter is a separate apprenticeship, it's not that easy to learn overnight. I find the whole craftsmanship of porcelain painting incredibly fascinating - you can make so many mistakes.

For example?

Hand-painted porcelain has the characteristic of being highly glossy; the paint is not absorbed into the surface and does not dry into the material. It can also be wiped away. If you are careless and touch the drawing, it will be ruined. So there are a few pitfalls – in the truest sense of the word, because the paint is very fatty or oily.

Did the form inspire you to create a specific drawing?

I wanted to bring drawings that are familiar to me onto the surface of KPM porcelain. The tools are a little different – now I use a ruling pen, also an ink pen, so I can easily apply my lines.

And how did the young vegetables get onto the KURLAND tureen?

I took the Eintopf to the extreme and opted for very funny figures with the young vegetables. That was the intention. Everything is drawn a little exaggerated, a media eye-catcher. After my one-day stay, Astrid Schulz offered me a gilding job in various places - and so it became a small collaboration. This is where tradition meets the year 2017.

And now the collaboration with KPM continues. What is the idea behind the current collection?

There is this very high-quality porcelain that you only take out of the cupboard on Sundays. You know it from certain social circles. That's when I had the idea that I

My Sundaayyyssss drawings could be brilliantly transformed onto the URBINO service.

What do you like about the URBINO service?

I am a big Bauhaus fan. URBINO is a service on which I can see my drawing. The porcelain is so restrained that it gives my drawings space. In contrast to the KURLAND tureen , I now look at the entire service with the aim of labeling it with consistent quality - and each piece is unique.

What would Trude Petri, the creator of the URBINO design, have said about it?

I think she would have been delighted. At the very least, I would certainly have been received by her with open arms and a certain curiosity.

With you, pop culture meets a traditional brand. Is this a way to lead cultural assets into the 21st century?

Yes, at least it opens a door. You're not taking anything away, you're adding something. Then it gets a whole new facet. The idea of releasing the entire URBINO service as a Sundaayyyssss service will also appeal to my generation, I have no concerns about that.

 

Text: Heike Glaser

Images: Gene Glover